How to read the classics in an age of distraction – and 3 short books to get you going
- Written by Johanna Harris, Associate Professor, Literature, Western Civilisation Program, Australian Catholic University
Over the past 15 years, I have witnessed university students’ shrinking patience for reading – especially for reading “long” books. Increasingly, students also opt for audiobooks. While speeding up the reading experience, these fundamentally change what is noticed.
The neuroscientist Maryanne Wolf suggests many students no longer have the “cognitive patience” to read long books due to the complexities of thought and sustained attention required.
One explanation for this shift is the dominance of digital technology in our daily lives, which has rewired our brains for surface-level scanning and multitasking, weakening our capability for prolonged attention. Another is our culture of instant gratification.
Some studies into the “screen inferiority effect” suggest when we read on paper (rather than on screens such as smartphones) the brain often processes more deeply and comprehension is better. Memory and information recall are also stronger.
So where does this leave the classics?
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Classic novels were often serialised and read aloud in instalments in families or community groups. As a teenager, some of my most memorable early forays into the classics were shared with a dear cousin while staying with our grandparents in the Blue Mountains, when we would read aloud to each other on wintry, windy nights by the fireplace. Here, I first encountered Daphne Du Maurier’s evocative West Country mystery Rebecca and Dodie Smith’s eccentric and funny I Capture the Castle. Begin your adventure into the classics by reading aloud with a friend or in a book club.
8. Don’t feel too daunted
Remember that getting started with the story, getting to know the writer’s style, gradually piecing together the world of the novel can be the hardest stage. Take your time, be patient and persist. The further you get into a novel like War and Peace, the easier it is to continue because you simply want to know what happens.
Here are three short classics worth the journey.
A heartwarming study of the “inward life” of Silas, the weaver, exiled from his fellowship of narrow religious sectarians. He finds purpose in life, first in money and then in the fatherly love he develops for Eppie, the child who wanders into his home. Silas Marner is an accessible taster of Eliot’s longer experiments exploring emotion and “fellow feeling”.
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This book is, strictly speaking, a collection of 12 short stories. Together they form a masterpiece of brutal Anglo-Irish realism interrupted by moments of epiphany. The book contends with questions of action and inaction, betrayal, political idealism and pragmatism. The story of Eveline, who is on the cusp of eloping with the “very kind, manly, and open-hearted” Frank on a night-boat to Buenos Aires to escape the ill-treatment of her ageing, abusive father, leaves the reader astonished by the sudden departure in the final lines from her earlier rational self-analysis.
An experimental novel set on one summer’s day in London, 1923. The socialite Clarissa Dalloway prepares a party but the absence of any chapter breaks in the book creates for the reader a sense of the stifling impact of war that still lingers over British family, social and political life. In the trauma of returned soldier Septimus Smith we read an early fictional exploration of shell shock.
Authors: Johanna Harris, Associate Professor, Literature, Western Civilisation Program, Australian Catholic University
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