how Aboriginal rock art can live on even when gone
- Written by Joakim Goldhahn, Kimberley Foundation Ian Potter Chair in Rock Art, Centre of Rock Art Research + Management, University of Western Australia
December 1972: Billy Miargu, with his daughter Linda on his arm, and his wife Daphnie Baljur. In the background, the newly painted kangaroo.Photograph by George Chaloupka, now in Parks Australia's Archive at Bowali.Aboriginal and Torres Strait Islander readers are advised this article contains images and names of deceased people.
Aboriginal rock...





